Skip to main content

Banteay Srei style


Figure24. Female deity
Unknown origin
H:57 cm
Ka. 800

It is always difficult to distinguish between Banteay Srei and Pre Rup style deities wearing the mukuta. The deities are almost the same size and the decorative details are similar. However, the mukuta can provide some information; while it is sculpted in a conical shape in the Pre Rup style, it looks like a truncated cone in the Banteay Srei style and is decorated with a curling braid and a garland of large pearls(?) at its base. This fashion will remain in subsequent style.


Figure25. Female deity
Unknown origin
H: 67 cm
Ka. 681

The third eye one her forehead indicates that this deity is probably Sarasvati, Brahma's sakti. It is almost identical to the previous statue (Ka. 800), which leads us to assume the existence of a school from which these two sculptures come.

The museum's restoration team worked at length on this small piece to remove a first layer of paint, under which were found two more layers of paint, one layer of gilt and a layer of lacquer.

The Khmer's traditionally use gilding to confer a sacred meaning to an object.


Figure26. Umamahesvara

Banteay Srei temple, Siem Reap. First western Gopura
H: 60 cm
Ka. 1797 B. 24 B. 43, 1

This small ensemble shows the inseparable couple, Uma and Siva. Uma’s head was most likely stolen in 1970.

The gods wear folded sampots and similar mukuta with identical decorative details. Their diadems are decorated with several rows of serrated designs (kbach kanh chaing), pearls (kbach pong trei), rosettes (kbach phka chan) and stylized lotus petals (kbach trabak chhouk bambek).


Siva is seared with his right knee up, in the so-called ‘Javanese’ position, and holds a stylized trident in his right hand.

Popular posts from this blog

Preah Ko style (875-893)

Figure13. Rajendradevi or Gauri Western sanctuary, southern side, Lolei temple, Roluos, Siem Reap H: 150 cm Ka. 1645 B. 289 B. 42, 4 Acquired by the museum in October 1920 The Khmer language inscription carved on the pier of one of Lolei temple’s sanctuaries tells us that King Yasovarman erected statues of Siva and his wife as representations of his maternal grandparents. The sculpture of Siva’s wife located in the western sanctuary is commonly called Rajendradevi. But according to another inscription, written in Sanskrit, this deity is Siva’s wife Gauri, goddess of beauty. Some researchers have suggested it might be a 12 th copy of Queen Rajendradevi. The artist copied the original 9 th century-style of the body and followed 12 th century fashion for the hairstyle. Indeed, the diadem and the chignon cover are similar to 12 th century designs. The cylindrical chignon cover is adorned with trabak chhouk, or lotus petals, in five concentric and decreasing ...

Brahmanism or Hinduism

Brahmanism and Buddhism are two religions from India that were practiced in Cambodia. Before the Christian era, India had four sacred texts, rgveda, yajurveda, sámaveda and later, atharvaveda, which together are named the Veda. Brahmanism is the religious concept derived from these texts. According to Indian philosophy, India is seen as the universe and the great Trimúrti gods, Brahma, Visnu and Siva, represent the three stages of the primitive matter: creation (Brahma), conservation (Visnu) and dissolution (Siva). In the Brahmanic and Buddhist triads found in Khmer art, the supreme god is positioned in the centre. Gods had to be personified for humans to relate to their power. These three gods are the emanations of a unique supreme god and constitute the Trimúrti. The supreme god is sometimes Siva. Visnu and Siva are the more popular Brahmanist gtods; whereas Brahma himself does not seem to have been popular in Khmer art. Certain gods are seen as symbols of India’s n...

Kampong Preah style (706-800)

This art form reflects a dark period in the history of Cambodia caused by the dislocation of Tchen-la into two kingdoms. The style of Kampong Preah is similar to that of Prei Khmeng, although an increasing number of statues are carved in a plainer fashion, in particular the folded edge of the sampot and the lengthwise fold. Figure11. Durga(?) Unknown origin H: 141 cm Ka. 318 The presence of the supporting arch, evidence of which can be seen in the marks at the back of the head, and the two-armed shoulders indicate that this deity is Durga. The almond-eyes, sharp curved eyebrows, breasts, folds beneath the breasts, slender hips and, lastly the cylindrical mitre are characteristics of a classic Kampong Preah style sculpture. The simplified fold and pleats of the garment show great elegance. The face expresses natural beauty, with its curved upper lip and dimple in the chin. On her forehead, that the statue has probably already been consecrated. Fig...