This art form reflects a dark period in the history
of Cambodia caused by the dislocation of Tchen-la into two kingdoms.
The style of Kampong Preah is similar to that of
Prei Khmeng, although an increasing number of statues are carved in a plainer
fashion, in particular the folded edge of the sampot and the lengthwise fold.
Figure11. Durga(?)
Unknown origin
H: 141 cm
Ka. 318
The presence of the supporting arch, evidence of
which can be seen in the marks at the back of the head, and the two-armed
shoulders indicate that this deity is Durga.
The almond-eyes, sharp curved eyebrows, breasts,
folds beneath the breasts, slender hips and, lastly the cylindrical mitre are
characteristics of a classic Kampong Preah style sculpture.
The simplified fold and pleats of the garment show
great elegance.
The face expresses natural beauty, with its curved
upper lip and dimple in the chin. On her forehead, that the statue has probably
already been consecrated.
Figure12. Female deity
Prasat Thleay, Takeo
H: 78 cm
Ka. 869
This sculpture is made of blackish sandstone and is
missing both its arms.
Light strokes are used to outline the edge of the
sampot folded on her stomach and the lengthwise fold of the cloth. The hair
bun, in the shape of an ox hump, is adorned with flower garlands held by
pendants. The round dot on her forehead likely holds the same significance as
the sig on the front of the previous Durga.
